Monday, June 22, 2009

Big Gallery Opening Night Party!










Our opening night party was wonderful!

It started out badly. As Kerry and I were driving to the gallery, the skies opened up and a monsoon began. As I bemoaned my fate, Kerry stepped in and cast a spell. She cleared the skies of clouds above the gallery and as we got closer, the rain lessened and then stopped! Note to myself - Never mess with Kerry - Strong powers there!

We were pleased to see so many of our friends from Manhattan and all over the area. It was extremely heartwarming to get that support.

I want to thank Krista Hyer, the gallery owner for the wonderful job she did in the presentation and organization of the show. And to all of our friends who showed up - it meant a lot to me that you made such an effort on a drizzly night.

I am very pleased to say that we have sold 3 prints so far, and the show will be up until mid July. Please stop by!

Mona Lisa Gallery
168 Maplewood Avenue
Maplewood, NJ

Sunday, June 7, 2009

I Always Wondered What My Portraits Would Look Like 30 Feet High!


Normally I see my work in an 8X10 inch format. On my way to DC yesterday, I was surprised to see a billboard on I-95 of my portrait of Chubby Checker. I've always wondered what my stuff would look like at 20X30 Feet!

Wednesday, June 3, 2009

Joe Henson Gallery Show Opening!


Please join us for the opening party of my latest Fine Art Photography Gallery Show! There will be wine, food, a tent, and a bunch of Joe Henson NUDES!

Tuesday, May 12, 2009

You never know who's going to drop by!


Tyson Beckford dropped by the studio yesterday. He roared up the block on a tricked out Yamaha R1, dressed in full racing gear with a matte black helmet and mirror visor. He looked like an action figure. When he pulled the helmet off you could hear an audible sigh rise up from the FIT girls and the Chelsea boys! He was fun, charming and extremely ripped. I'm starting a diet today!

Tuesday, April 28, 2009

Early "Studio"




Early in my career, I was working out of my one bedroom apartment on 76th Street and Columbus Ave. I turned the bedroom (all 130 square feet of it) into a studio and moved my bed into the living room on top of a raised platform. My back was literally to the wall when I shot headshots. I considered knocking down the closet wall but I wasn’t sure yet that the headshot thing would fly. We set up a make-up area in the living room. The kitchen was “reception”. And this was where I started my campaign to take the headshot world by storm. The apartment was on the top floor of a brownstone and there were exactly 76 stairs from the foyer to my “studio”. I used to joke that I was a Darwinian Headshot Photographer because only the strong could make it up the stairs to shoot with me. If a client was older or had difficulty walking, I would come down and help push them up the stairs.

Looking back it’s amazing how many high profile people made the ascent to that cramped apartment, I mean “studio”. Sean Young, right before “No Way Out” was released, came to shoot. She was lovely and playful and I still have her thank you note which was signed “Mary Sean”.

Lou Jacobi, famous for his love affair with a lamb in “Everything You Always Wanted to Know About Sex” by Woody Allen came to shoot. A true New York icon, he was fun and sweet and sent me his reproduction for my portfolio. About a month after I received his shot he called me, “Joe…Jacobi…you know I didn’t sign that photo for you, would you like me to do that?” It must have been preying on his mind. I walked down to his apartment on Central Park South and he wrote a very complimentary note and signed his photo. He also invited me to brunch with him at The Russian Tea Room that Sunday. I was excited because he said he would introduce me to some people. When we arrived, the sea parted for him and we were led to the best table in the restaurant. He was treated like royalty and I got to draft on his star status. He suggested the blintzes and we dove in when they arrived. Every so often someone would recognize him and come over to pay their respects. It must have happened 15 times that we were interrupted and he would graciously introduce me as his “genius photographer”. I was flying high. It was a wonderful lunch. At one point a Hollywood “Suit” came over to say hello, “Lou Baby, I haven’t seen you since the party at so and so’s in Brentwood!” he gushed. He babbled on and on glad-handing Mr. Jacobi as he went. When he finally parted Mr. Jacobi leaned over to me, winked and whispered, “Who the f#^k was that?” Hilarious!

Robert Downey, Sr., a director famous for his edgy independent films in the 60’s and 70’s such as Putney Swope and Watermelon Man did a session. He was very charming and kooky. During the shoot he told me that his son was getting his feet wet in the acting world and was “doing pretty good with it”. Guess so…

Jackee, the star of “227” shot with me numerous times in that apartment. She used to love drinking champagne through a straw throughout her session. It never seemed to effect her. She was a natural in front of the camera and we always had great sessions. She even flew back from LA a few times to shoot with me. She laughed and confided in me that her manager wanted her to shoot with a $10,000 a day photographer in LA, but she told him that she would prefer to go back to her guy on 76th Street. What a love!

Definitely one of the most confusing experiences in my early headshot years came when the phone rang on weekday morning. I was watching a video I had made the night before of a comedy special on HBO called “Women of the Night”. It consisted of the stand up routines of 4 of the hottest female comics in the country. A very soft-spoken, proper brunette comic with a full head of curls was taking the mike when the phone rang. I answered “Joe Henson” and the same soft proper voice responded, “Hi Joe, my name is Rita Rudner.” At the same time on the TV the woman’s voice spoke “Hi, I’m Rita Rudner”! What was happening? Had I gone too long without a vacation? It was an amazing coincidence! Rita Rudner called me just as she started her routine on TV! I said “I’m watching you on TV right now!” and she and I marveled at the peculiarity of that. Sometimes I think the universe just likes messing with you.

Rita shot with me a few times and really hit it big in the comedy world. A few years later I was out in LA doing promotional shots for my brother, John who was the host of Talk Soup at the time. After the session we flew to Vegas for a few days’ fun. In the cab ride from the airport to the hotel, I saw a big billboard with my shot of Rita Rudner who was appearing at one of the hotels. When we got to our room I called the hotel where she was appearing and left a voicemail for her. She called back and told me she would leave passes for us to see her show, one of the nicest perks of working in my field, and to be sure to come backstage after the show. That night after breaking the bank at the Black Jack table we jumped into a cab to see Rita’s show. We were seated in a VIP booth and got complimentary champagne all night. Rita was hysterical. At the end of the show, she brought out her sheepdog and did a few bits with her. Rita was really on her game. She killed, as they say. After the show, we were escorted back to her dressing room. I introduced John and we all had a nice chat. As we were talking, I absentmindedly petted her big sheepdog when it came to give me a sniff. I am extremely allergic to dogs, but I guess the endless bucket of champagne had impaired my vigilance. I rubbed my eye with the dog petting hand and my eye preceded to swell and tear immediately. Rita must have noticed that I had suddenly become Quasimodo, but she thankfully did not make my rheumy eye the butt of her jokes.

I am so appreciative of the fact that my early clients were able to overlook the decidedly un-glamorous nature of my first studio. My studio now is at least 10 times the size of that apartment on 76th Street and I thank my lucky stars everyday that my back is no longer to the wall in the Headshot business.

Saturday, April 25, 2009

Close Encounter with a Lionness


Here’s a quick, fun story. I was hired to photograph Shirley MacLaine for the premiere of a new film she was starring in. I was excited about it, but also approached the entire session with a degree of trepidation, her reputation as a Hollywood lioness preceded her. Before the shoot I was contacted by her publicist who told me in no uncertain terms that I better have my act together because Shirley did not suffer fools gladly, and that I would have a certain (very short) length of time to get my shot. I was also warned that if the shoot did not go to Miss MacLaine’s liking she would bolt without hesitation. Well…ok, I’ve dealt with pressure before and I was not going to run away from this challenge, I was going to stick my head right in the lioness’s mouth.

I got my lighting set and tested it on Kerry and basically prepared for anything that might possibly go wrong. Part of being a professional is trying to predict any element of the system that might break down and having a back up for it. Murphy’s Law is always proportionate to the importance of the event it is affecting. In other words, the bigger the stakes in screwing up, the more chance it will happen. On days like the Shirley MacLaine shoot, Murphy would be working overtime, so I had to assume that and prepare accordingly. Deep into the night before the shoot I organized, tested and tried to find the answer for any breakdown in the system.

The big day came, Miss MacLaine arrived and contrary to my expectations, everything went according to plan. And the shots were great. After the shoot, I was escorted into the theater and given a seat in the front row. Miss MacLaine was in attendance and was slated to speak before the film was shown. She arrived to much hoopla and was walked down the aisle and seated right next to me! Waiting her turn at the podium set up in front of the screen, she got adjusted in her seat and then turned to catch me in the beams of her amazing blue eyes. “You’re the photographer, aren’t you?” She challenged. Well, I did have a camera with a giant zoom lens around my neck, so there was no hiding the fact. “Yes” I half whispered, not knowing what was coming next. She fixed me in her stare and in her best lioness growl roared, “You did good. And you know, I would rather have great lighting, and a great photographer…THAN A MAN!” Close encounter with a Hollywood legend and I lived to tell about it.

Thursday, April 23, 2009

Memory Lane and Some Headshot Advice




When my studio phone rings I can never predict who it might be. Sometimes the caller is a household name, someone I’ve heard about all of my life or someone I saw on the news that morning. There is an ongoing joke in my studio when the phone rings; I always say, “This could be the most important phone call of my life!” And sometimes it is. “Joe Henson” I state as I answer the phone. “Hi Joe, this is Tyler Perry, I need photos and your name was given to me by a friend.” Very exciting to get a call like that! I also never truly know what the future will hold for my clients after our shoot together. I have photographed many stars but I have also photographed many stars yet to be. I remember when Adam Horowitz (King “Ad Roc” of the Beastie Boys first came to shoot with me. He was about 15 and two things stand out in my mind about him, first, he was the first person I had ever seen with a “bed head” hair style and second, he was wearing a “Def Jam Records” t-shirt. His hair was sticking straight up off his head at crazy angles. “What about your hair?” I asked. He took a glance in the mirror, “Looks alright to me.” he stated. And so my first “bed head’ headshot was committed to film. I asked him what “Def Jam” was and he said it was his record label. “Record label? Are you in a band?” I asked, and he proceeded to tell me about “The Beastie Boys” and how they were slated to tour with Madonna that summer. He was 15! I thought “Yeah…Madonna…right” and we continued shooting Well…I’ll be damned! Guess he wasn’t dreaming.


Is it possible to predict who will hit it big? From my point of view behind the camera, I would have to say that the headshot experience sometimes has very little to do with the acting talent of my sitters. A client who has never acted before, but has just been bitten by the bug, might have a much easier time with his/her first headshot session than a seasoned actor who might approach a headshot session with trepidation and loaded with previous bad headshot baggage!

Many actors psych themselves out with the importance of their headshots. They think their entire career is riding on this one photo and the hideous fact is…sometimes it is. I’ve had past clients call me with stories about how the shot we did got them seen for amazing projects…big roles in big films.

One of the toughest shoots I’ve done was with Annette Bening early in her career. She had already won the Tony for “Coastal Disturbances” and great things were looming for her. She was wonderful and sweet but I remember that she had a very difficult time with the shoot. She was over thinking every detail of the session, watching herself and having trouble getting into the here and now, what actors call “the moment”. She’s very smart but it was working against her, stopping her from committing to the shoot. We finally got things rolling even though you might be able to tell…it was a bad hair day!

The best way to approach a session is with confidence, energy and to be loose. Go over the top with your expressions, mug a bit and loosen up. Play. In the digital world, a bad shot is just one click away from the trash. Engage the camera, play to it, and create a relationship with the person you put inside it. Tell the viewer that you want to do something to them…threaten them, cajole them, seduce them, tell them that you feel good, feel cocky, feel funny. I would rather pull a sitter off of the ceiling than be faced with the dreaded dead stare. A great photographer can encourage you, help you, point out issues to address, but no one can get inside your face and make it happen. Take responsibility in the result. It’s collaboration and a game. Play along, you’ll get better results that way.